Stopping off in Berlin once again, this
time apparently filling in a gap in their schedule supporting Depeche Mode on
tour (the DM have a history of
great taste in cutting edge openers, bless ‘em). Berghain is the natural choice
for them at this stage, it's always a big statement to take on this imposing
space, but their nonstop touring regime means they are ready for the challenge.
It's February, Berlin has been quiet, and everyone is ready for this kind of show.
Mueran Hermanos open the evening, and this
Argentinian duo have made Berlin their base and have developed a cult following
that deserves to grow as their sound develops and their live show grows. Their
aim tonight is to mesmerize and create a feeling of tension that builds with
each layer of sound, with a rhythmic combination of analogue synth and bass guitar. The room
fills up with people as they play and the sound, which is mixed perfectly, gets
louder in volume as the set progresses, showcasing how immaculate the p.a. here
at Berghain can be when in the hands of the right engineer… Tomas and Carmen
are also given the benefit of some fantastic lighting and their set ends as if
they were the headliner – the show belonging now as much to them as The Soft
Moon.
The best place to watch a band here at
Berghain, if you can grab a spot there, is in that space behind the p.a., next
to the stage, where you can get up close and personal, transforming any show
there into a more intimate experience. Despite being known for its debauchery
on club nights, Berghain can be a challenging space for a band to create an
energy and a good vibe – Festsaal is sorely missed for that – but sure enough, the
Soft Moon bring their metronomic beat to the dancefloor, and the folks at the
front at least begin to throw shapes. There’s been comments elsewhere that the
set was too short – but they delivered a blast of throbbing noise pop that
captivated with its shards of distorted guitars and dark vocals. Thrilling and
fun, The Soft Moon are a step away from being an essential band.
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